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Hong Sang-soo

Hong Sang-soo

Hong Sang-soo (born October 25, 1960) is a South Korean writer-director. He has directed 35 films as of 2026. Certain elements are commonly found in Hong's films. A typical Hong film highlights a theme of domestic realism with many of the scenes set on residential streets, cafes, hotels, schools, and in the stairwells of apartment buildings. Characters are seen walking around the city, drinking soju, and having sex. The main characters are often movie directors or actors, and scenes typically consist of a single shot, often beginning and ending with a camera zoom. The budgets for his movies average about $100,000. Hong is often spontaneous when shooting, delivering the day's scene on the morning of the shoot and frequently changing stories while on set. He rarely prepares scripts in advance. Hong's style has been compared to Eric Rohmer's, and it has even been argued that allusions to Rohmer's films appear in some films directed by Hong.
The Nine Lives of Korean Cinema
Venice 70: Future Reloaded
The Day She Returns
The Woman Who Ran
On the Beach at Night Alone
Right Now, Wrong Then
A Traveler's Needs
Woman Is the Future of Man
Nowhere to Lay My Eyes
Claire's Camera
The Novelist's Film
Tony Rayns, the Not-So-Distant Observer
Introduction
Night and Day
In Another Country
The Day a Pig Fell Into the Well
Ha Ha Ha
What Does That Nature Say to You
On the Occasion of Remembering the Turning Gate
Small Flower
Virgin Stripped Bare by Her Bachelors
Tale of Cinema
By the Stream
Our Sunhi
The Day He Arrives
The Day After
Nobody's Daughter Haewon
In Our Day
Grass
In Front of Your Face
Yourself and Yours
Oki's Movie
The Power of Kangwon Province
Walk Up
Hotel by the River
In Water
Woman on the Beach
Hill of Freedom
Hong Sangsoo – Winner of the Silver Bear for Best Screenplay
Like You Know It All
Lost in the Mountains
Tree Above Volvo
It Snows on You
List
Letter to the New York Film Festival
Greetings for the New York Film Festival
어떤 방문

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